I'm working on the print version of the novel. I'm hoping that it'll be available for sale on Lulu in the next few weeks. I've to finish working on the cover, the formatting of the pages and then I need to finish the rest of the details to make it ready for release.
I'm also working on the marketing materials for the book. The audiobook, which will be released on Podiobooks.com, will be available on Monday, October 6th. The first episode will be released and then for the next fourteen weeks an episode will be released one per week. The audiobook episodes will be available free on Podiobooks.com. And the PDF will also be available free (soon!). Well, as soon as I can finish putting the document together.
I was thinking of the characters in the book and I wanted to talk a bit about Dorothea. I created her over twenty-two years ago. Twenty-two years! I still can't believe how much time has gone by. But who is Dorothea? A long time ago (late 1985 or 1986) I came across a commercial on TV for National Geographic. During the commercial the cover of the June 1985 issue popped up and I was glued to the TV. A young woman with powerful, piercing eyes stared back at me. She had a cloak on, looked dirty and a bit frightened and had a powerful presence. Instantly, I knew. She was Dorothea. In my mind, I took the image of the young Afghan girl on the cover of National Geographic into my head and she became what Dorothea looked like. For many long years, I couldn't find the image again as my family didn't subscribe to National Geographic. As a teenager, I didn't have access to the magazine so I forgot about it until I was in my early '20s. I came across an old book store in Philadelphia and saw that they had old copies of National Geographic. I searched through all the back issues until I found the one that had the Afghan girl on the cover and then I purchased it. Remember, this was before the time of the internet. If you wanted to find something, you needed to go to a library or go searching through old magazines on a shelf. There was no Google.
Then back around 2001, I stumbled upon a notice that Steve McCurry, the photographer who had taken the picture of the Afghan girl, would be talking in Philadelphia. I went by myself to his talk and listened as he explained how the picture came about. He mentioned that he had seen the young girl (who he thought was around 13 years of age) in a tent (which was a makeshift school) and he just snapped a few quick pictures of her. One picture is of her smiling and you can see her fingers. What I didn't know was that the Afghan girl was only 13 years of age when the picture who been taken. Being able to see her smile and how young her hands look surprised me as I had thought she was older. It's funny to think back to see how your mind puts in details that you don't know just to shore up the back story to a picture.
After McCurry's talk, I purchased a poster-sized image of the picture and had it professionally framed. It's been up in my office for six or seven years now. Over the years as I had worked on my novel, I either had the issue of National Geographic on my shelf or the large poster in my office. I had always wondered who the young girl was and if she were still alive as she had been an Afghan refugee during the war in the '80s. But, to me, she was always Dorothea. I always thought of her that way as that was the closest association in my mind. The journey that Dorothea embarks on and her struggles are tied into my psyche.
Yet all of that changed in 2002. A major revelation occurred: Steve McCurry and a team from National Geographic found the Afghan Girl in the spring of 2002. Her name is Sharbat Gula and she was now married and had children. A TV special aired, explaining the technology behind proving that the young girl in the famous picture was actually Sharbat Gula. An analysis of her eyes was performed to prove that she was the young girl. Watching the special "A Life Revealed" on TV was just amazing as I learned that seventeen years had passed but she still lived, having survived the war there. The images that Steve McCurry took were breathtaking as you could see how time had affected her. Living in harsh conditions, her face no longer held its youth but had been damaged by the elements.
What I learned about Sharbat Gula and her struggles touched me. Now when I look at the poster I have, I see the woman rather than the imagined character I had made up for my novel. If you're so inclined, please make a donation to the Afghan Girls Fund run by National Geographic to help the children there have good schools and a safe place to live.